![]() See "Quick Links" for bn.com and amazon.com |
Book ExcerptsSPINSTER BY THE SEA
THE ACTRESS Liar crammed in closets, I played, a ruined child, to bright, phantom eyes: If this sleeve were Papa’s hand, that dress of silk my mama’s breast, this coat of fur my papa’s chest. . . Her quiet breast, his hand. Saturdays at Loews Delancey grinning baldies bidding their Milky Ways along the Children’s Section always found me sitting a little apart; the candy was for later: “Let’s be pals, mister, ‘kay?” “Cross your leg over mine.” Senses flicking like lizards a wild sob rose to my throat: Stay a little while longer— Bastard, be my friend. If in darkness I must want then from darkness would I get: To act: I had to act, to wish by order--to behave. Who lives in me beside myself can grieve beyond the grave and in that grief rejoice at hearts I choose to break. I beckon, entice, kiss, chase away, I mourn, dance, serve, pray. Offstage I seldom speak. I act because I’d rather do other things. FIRST PRAYER The heart too long suppressed cannot come forth, finds comfort in memories of snow, in poems that grieve to grow. Then stir my slow conception, quiet, oh how quiet, the tides resume in me, thrust me back to see the soul outside my mind, thrice-blessed, released from what it longs for to something it has. I live in a dreamworld by choice; I am sorry, slightly embarrassed and ravished. SONG He shall ravish me in the wineshed casting grapes about my head and sweetly I’ll mottle-- an unblithe bird-- until he is sprung. Give me bread, my lord, for I am drunk on wormwood and the elders have ceased their music. I dream of dragons in pleasant places; my belly is mingled with lilies. LITTLE MONOLOGS
LETTER TO AN ARTIST ABOARD SHIP SOMEWHERE NEAR STOCKHOLM You were so different from your words and so proud--well, proud!-- The ripe, indolent women adored you. On the last night you danced an aging countess tried to comfort me. It was your grace that hurt. So innocent you were of what you gave to me. Come to the hearth, be seated; permit me to press your hand. Our needs are not concerned with the Ten Commandments. Tell me who you are, I often think of you. Our work should cut, it shouldn’t bleed. It’s as necessary to us as breathing. How passionately we spoke, how well! We had a moment there but it was off-camera. FANTASY IN A FLOATING CAFÉ ABOARD SHIP SOMEWHERE NEAR SOUTHAMPTON 1 The sea is breathing now and a gull, drunk on the wind, bares a nerve in me. The sea is breathing now and my lord is dancing-- severe, proud, clear as the skies. Still the music of those lips, that radiant form. The sea is breathing and my lord is dancing. 2 The Austrian countess is laughing; her husband was buried at sea. They say his corpse slid into the waves just as the sea monster drew out her breast and gave suck to her young. The Countess drinks with an aging queen who praises flowers for responding blandly to the onset of frost. And my lord skips like a calf among the evening flowers. OUR LADY DUSE To the memory of Uta Hagen We remember her as from a dream when, in La Dame Aux Camélias she, by an imperceptible movement of the hand, caused her flower to die of Marguerite’s grief: Touched by frost, her leaves sighed for the crying of the wind that pinched her blossom white and flung it into the winter night. Duse loved a poet, a lesser soul than she, so enamored of his own he nourished it on hers, drained it in a poem and fell asleep on tour in the frozen Midwest, let her wait alone on some windy corner after the show. She bowed to the silence, obeyed his absence, and walked briskly home. Acute misery of mind from careless circumstance-- how it blossomed, how it bore past bliss to bless and cheek to turn in striking purity that week Marguerite petal by petal blew the flower of her lord delicately down to death. When the devil stormed in her, they say she stepped on him. Excerpt from THE HEART TOO LONG SUPPRESSED: A Chronicle of Mental Illness
THE HEART TOO LONG SUPPRESSED
Prologue In the summer of 1978, while accompanying my mother and her third husband on a ten-week pleasure cruise to Leningrad, I threw overboard the following medications: the psychotropic tranquilizers Haldol and Thorazine; and the antidepressants, Imipramine Daytime and Tofranil P.M. A psychiatric patient in and out of hospitals for thirty years, I’d been on massive doses of medication for twenty. I was forty-four. The previous fall I’d begun my job as assistant professor of English and Creative Writing at the University of Kansas, at Lawrence. It had become my habit, as a visiting university lecturer, to register upon arriving in town at the nearest medical facility with a note from my former therapist indicating the pills I was taking. It was up to me to find a doctor who’d consent to rewrite my prescriptions and to take me on as a patient. Given my medical history, not everyone would. The nearest facility to Lawrence is the renowned Menninger Clinic, in Topeka, where I was promptly scheduled for a morning-long battery of psychological tests. One of the reasons I’d accepted the job in Kansas was that at Menninger’s I hoped to find a lasting cure for whatever it was that ailed me. The administering psychologist, Dr. Sheila Skollar, summoned me from the waiting area at 8:30 a.m. and began with a brief apology for having to ask me, as a mere formality, some rather stupid routine questions. I smiled. “Who is the President of the United States?” she asked. I opened my mouth to speak.--Carter’s name escaped my mind. I froze, then laughed or tried to, as I explained that I had just arrived in this blistering August heat from the MacDowell Artists’ Colony in New Hampshire, where I’d been working round the clock on a novel that was beginning finally, finally to take shape... I laughed again... Just one second more and I’d remember... Dr. Skollar suggested we get on with the Rorschach and word-association tests. I answered carefully, thoroughly--too thoroughly perhaps to compensate for my memory lapse because twice she admonished sharply, “Just say what you see!” By lunchtime we had finished. “I’ll be straight with you,” she said. “You seem extremely disorganized.” “I’m tired!” “I think it’s more than that. Look: I don’t think you can give a coherent lecture. I’m recommending your hospitalization.” “What? For what?” I was shocked. “Dr. Skollar, I’m starting a new job next week! Teaching’s how I support myself. Please! I’ve just been overworking. I can rest at home.” “I don’t think so,” she said. Then, “How am I supposed to pay a hospital bill without the medical insurance the job provides?” She assured me that something could be worked out. “You really think I need... ?” A lump in my throat stopped me. “I don’t know what to do first,” I said finally: “to go home and pack, or telephone my chairman immediately.” The tears welled up. Appeased, she seemed at once kinder. “Look, you have my opinion,” she said sensibly. “I’ll pass it on to Dr. Sampson” (the psychiatrist to whom I’d been assigned). “You’re seeing him tomorrow?” I nodded. “Then just do nothing until tomorrow. If he agrees with me, we’ll take it from there.” It was lunchtime. Since I didn’t drive, I had to take the Lawrence bus, which didn’t leave for a couple of hours. I asked her where I could get a bite to eat. “They’re eating downstairs right now,” she said. “I’ll arrange for you to join them, as a visitor.” I stood in line with the inpatients, pleasant-looking, mostly young--none recognizably ill. But few mental patients at the elite retreats are. It struck me that no one bothered to ask if I was new. There were no locked doors. I was visiting today, that’s all. But in a day or two I’d be “in again”. I felt discouraged and so horribly tired, that were it not for my teaching contract, and the probability of a ruined career which Dr. Skollar dismissed so very lightly (“Your health comes first!”), I’d have taken her advice without question. Horribly tired, did I say? Then why suddenly on that lunch queue did my heart begin to pound, my muscles to freeze? My arms grew stiff--one began lifting of its own accord--when I turned around, mounted the stairs and ran far, far down the road as fast as I could until I reached the bus stop. I sat down to rest. Across the street was an empty payphone. I had with me the number of a fellow artist in whom I’d confided at MacDowell. A prominent critic and novelist, she had attended an after-dinner reading I’d given from my novella Asylum, about a mental patient’s struggle for self-possession. When my friend asked its source, I answered, personal experience. She then read the complete novella and claimed to be deeply moved by it. I was honored. We swam together, ate together, and talked intimately. I told her, because she asked, that aside from a brief year of marriage, I’d lived my adult life alone, and that I was on heavy medication because I was troubled by visions of Jesus. In fact, the previous year, when I taught at the University of Wisconsin, my visions were followed by a searing pain in one eye, and temporary blindness. But why did I admit this to a stranger? Because I was in desperate need of a friend. And because in such states of desperation, we trust whomever we need. Half expecting to be betrayed, we are sometimes wonderfully surprised. Before the onset of my blindness I had shared my terror of these visions with my former dean at Utica College, a trained psychologist, who advised me wisely not to be afraid, that they might portend something positive. It occurred to me then that it was my fear of insanity, and not the visions themselves, that had caused my blindness and pain. But I must have frightened my friend from MacDowell, whose interest in me soon after cooled. I was really a bit heartbroken, but I was used to it. Another deposit for the memory bank, I thought; or as Emerson more aptly put it: “Pearls and rubies to [his] discourse.” Once, I had fallen in love with someone whose best friend told me, confidentially of course, “He doesn’t want anyone that sick.” My friend picked up the phone with a gracious hello. I got quickly to the point about my recommended hospitalization. “So I’ll probably be writing to you from Topeka, not Lawrence,” I said. “I’m really sorry to lay this on you.” “You’re not laying anything on me,” she replied, “because there’s nothing I can do.” It was then I decided to fight. I knew that the next day my psychiatrist, Dr. Sampson, hearing the customary factual rundown of my life, would be on the lookout for “disorganized thinking.” So with nothing to do that night, I prepared my life history. Never deviating from facts, I would pause at strategic places and toss in a few insights into the probable causes of my illness. I began with the death of my father when I was four, followed by my inability to listen in school, or to read until I was nine. “Where were you?” asked the doctor next day. “I can’t say for sure... probably in an unconscious fantasy of heaven. Or at least knocking at the gate. I do remember thinking ‘Our father, who art in Heaven’ was my father in particular.” “And you were his special child?” “Well, I liked to think so,” I answered modestly. Dr. Sampson smiled. I had passed, I assumed splendidly, since he disagreed with Dr. Skollar’s recommendation, and backed my decision to go home and prepare my classes. I traveled to Topeka weekly to see him, took my medications faithfully, and began teaching at the University of Kansas. At the end of the academic year, I received a note from my chairman: my student evaluations for fall and spring semesters had been outstanding. If I wanted to be considered for early promotion and tenure, he’d be happy to support me. Dr. Sampson was delighted by my chairman’s encouragement. “We’re doing very well,” he beamed. All year my feelings of loneliness had been acute. I’d call him--not often but from time to time. “Get a dog,” he told me. “There’s nothing wrong with loving a dog!” “Can I call you again?” I asked him. “What do you want me to tell you?” he joked. “Get a cat?” But what did I expect? I had wanted above all to write. If romantic relationships weren’t possible for me, close friendships were. And if there was no one yet within shouting distance, I’d nourish myself on books and music. I worked beyond endurance. Nothing was happening! I was harping on the same old subjects. Thoughts spun on the wheels of thought. I clutched at possibilities. And the train ground down to a halt. My mind was in a groove. Shortly before summer recess, when I agreed to join my parents on their cruise, I asked Dr. Sampson if he thought I’d ever be well enough to function without therapy and medication. He answered that I’d probably have to continue the former indefinitely; I’d need the pills for the rest of my life. I had been ready to give up, to settle. I even took a perverse pride, each time the dosage was increased, in how well I still could function. Despite Thorazine’s annoying side-effects, for me, a parched mouth and sandpaper tongue (students ribbed me about the two diet sodas always on my desk), I was seldom absent from class. My hospitalizations occurred between semesters and at holidays. I was remarkably well-controlled, really something of a wunderkind. But that year things had changed. “Medications for the rest of my life?” I echoed. “You’re doing very well,” he insisted. “For a sick person?” He didn’t respond. “Tell me, do those pills inhibit the imagination?” “They inhibit delusional thinking,” he replied. “Which is seated in the imagination, no? Doctor, that’s my stock in trade,” I yelled. “Just be grateful we have them.” Then, “Are you forgetting the night terrors, the hallucinations?” “You’re absolutely certain they are hallucinations?” “There’s no doubt in my mind.” We ended the session. Next day I called his secretary to cancel all future appointments. Two weeks later, on the high seas, I tossed my medications overboard. I’ve not taken a pill or seen a therapist since. My terror and blindness are gone. And my visions, which abated in 1998, shortly before my mother’s death, I have since learned were “benign.” My former dean had hinted as much when she told me not to be frightened. But Dr. Sampson’s reminder of my terror served only to reinforce it. Hallucination is a frightening word. Psychopaths “ordered by God to kill” claim to suffer from them. Did Dr. Sampson have a stake in keeping me dependent? If I thought so, why didn’t I ask him? Because I was certain he’d assume the question symptomatic of my disease. I was first hospitalized in the late fifties with paranoid schizophrenia, a psychosis characterized by intellectual deterioration, delusions, hallucinations, inattentiveness, and emotional dysfunction. Given that schizophrenia in its various subtypes was the psychiatric diagnosis of choice, with which a great many Americans were then hospitalized, I wondered why the possibility of my misdiagnosis was never raised. In 1978 I still wore the label. Whether I’d ever embodied it I don’t know. I knew only I had to shed it. But how? You and I and most other people have only one foothold in the world and that is the truth. But to live exclusively in reality is as intolerable as it is incomprehensible. For me it was seldom possible. Why? Was the truth so appalling? It’s one thing to know it and another to tell it. Often I’d lie close to it. For example, my father died when I was four, but for many years I told people I was three. I thought if I exaggerated my early troubles, my amazed listener would think, “Look how well she’s done despite them!” But to make a liar of myself for the sake of one year? Wasn’t there another reason? To admit the facts surrounding my father’s death would force me to relive them. And this I could not do. But with the crusting over of painful memories my illness took root. Who was I? I was the name I was given. I had an age, a sex, a profession. But there was no self to fall back on. Others couldn’t relate to me. Should I be ashamed to concede that people with worse beginnings than mine have fared better, when the converse is also true? We have different psychic strengths. I went crazy; you may not have. What’s crazy? Not seeing, not caring to see... What? The effects of our early abuses, or the abusers themselves? Those who punished us not for our misdeeds but from their own misery, or those who remained apathetic? But apathy is madness too: When we endure too many insults in silence we become indifferent to everything. And so gradually do we come to this condition we don’t realize the full horror of it. “Carol, for God’s sake!” chided colleagues, sensing my despair. “They’re starving in India!” And I wondered whether starving together made it any easier. Clearly I needed help. But from whom? A healthy, competent professional, strong and skillful enough to awaken in me a clear memory of all I had buried. In thirty years of therapy I’d had one. My difficulties shared were lessened by half. By then I was middle-aged. What remained was the painful realization that in my adult life I had been responsible for the cruelest self-neglect because I couldn’t help appeasing those in my early childhood who’d treated me precisely the same way. NOTE: For editorial reviews and ordering information for THE HEART TOO LONG SUPPRESSED, please see "Quick Links" to Bn.com and Amazon.com.THREE BLIND MICE:Two Short Novels
CLARA KLEINSCHMIDT: A former comedian with the Yiddish Theatre takes the reader on an intimate journey through memories recalled against the backdrop of New York in the 1920's. Excerpt from my novella CLARA KLEINSCHMIDT
Chapter One I have endured in my life profound insults and lapsed from them into profound indolence. During dinner with an acquaintance one evening, I confessed that I often felt quite alone. She exclaimed, “But we are all alone--you are not, you know, sui generis.” Though you may not understand me, I felt this a profound insult. I am an elderly spinster, wrinkled and poor--an ant, a spider, if you like. I occupy a top-floor walk-up on Manhattan’s lower East Side. My name is Clara. Do not expect that I will kill myself at the end of this narrative. I am neither ill, hungry, nor wretched. Indeed I find so much amusement in day-to-day. . .You must excuse me. That is not quite true. May I confess something? I am terrible liar. I lie without even noticing it myself, so that people believe I am telling the truth. I want to appear cleverer than I am in order not to appear more stupid than others. I am not different from others, but more like them than they themselves, in feeling, in intensity. Yet I seem peculiar. In the past I thought I could achieve common grounds with people if I laughed often in their presence and ate heartily in their homes. But I learned later that they only ostracized me for my foolishness and gluttony. As time went on, I became, by my own will, quite alone. As a Jew, I know neither God the Father, nor God the Spirit, but I have what you might call a heart-knowledge of Christ. I am a retired Latin teacher. I feel afraid suddenly. Please speak. Always I have been afraid.--So large--my fear was very large. My students expected of me help, advice, I who was so helpless before the exigencies of life. In youth, we are obsessed, are we not, by “pain”--so that it becomes almost fashionable to declare ourselves unhappy. And we are! O yes--unhappy! I had a student, a perfectly ugly boy with a cataract in his left eye. I was somehow very moved by him and went out of my way to be kind. One afternoon, during a conference, he said, “I love you, Miss Kleinschmidt.” At that instant I noticed egg-droppings on his tie; I became physically ill. I,--please, I say what I say to clarify myself (hm!). Understand it but do not refer to it--I ask you not to refer to it. Excuse me--just now I am unable to control the stream of my thoughts. I am imagining myself a young woman, full-bodied and very beautiful. My husband is entering the front door; I rise from my work to greet him. I have spent the day scouring my home and preparing a tasty chicken-dish for supper. My husband smiles and holds out his arms to embrace me,--he is touching my face, my hair,--and our child sleeps in his play-pen. I am twenty-five years old and in deep love. At twenty-five I played small roles in the Yiddish theater. In the beginning all went well. I was a gifted comedian and consistently employed for several years. I am not ashamed to say that Thomashefsky pinched my bottom more than once during a performance--and who could blame him? Though not very commercial looking (I come from a long line of Mona Lisas), I was a zaftig morsel and really quite sweet. However, during my career, I was occasionally overcome by a certain despondence that grew acute during performances. At these times I acted mechanically, and sometimes, while playing, planned to kill myself later in the evening. My depression was barely noticed by my colleagues, though Adler sometimes complained that my energy level was low. My despondence grew more frequent and marked. At odd intervals I grew acutely depressed and barely managed the daily necessities. I remember at the time attending funerals to which I was not invited. I peeped cautiously at the faces of the dead. Some were tender and lovely, but as a whole, they were disagreeable. Their smiles--I don’t like them!--why do the dead grow so heavy in their coffins? I left the theater after seven years, and began living on a modest inheritance my father had left me. Quite suddenly at twenty-nine, I developed a passion for my exterminator. He was a middle-aged man, thorough in his work, and extraordinarily kind. How he absorbed me in spite of myself! Always the sound of his footstep had the power of quickening my pulse. Never did he spray my apartment without making in me large results of gratitude. But I never could confess myself. I felt afraid of being insulted. One afternoon I found the courage to invite him to tea. But out of nervousness I served him without a spoon. “With what should I stir the tea,” he asked, “with my shmuck?” I am lying just now in order to fascinate you. Lately I am afraid to move without giving all my attention to it because if I am doing something else, I might carry out the wrong movement. For instance, in going out that door, if I paid attention to something else, I might stand on my head. I don’t want to move, because if I do, everything changes around me and upsets me horribly, so I remain still to hold onto a sense of permanence. Sometimes I can remember about love. The human light unshunnable. I must speak of it--I don’t know how. The world outside’s asleep. Dark outside my window--cold. My neighbors, the Swensons and Murphys, have put their families to bed. The boys who play about my stoop have all gone home now. I sit at my desk--pen, paper, and tea--and feel weary. You might say I feel weary without ever having lived. No, not that exactly. I have loved. One man spoke of children, kissed my eyes. My longing for a child was so great it amounted to a physical ache in my breasts. Being a virgin, I am very unhappy. Ablative absolute construction. Will you marry me? Oh how awkward this is,--you must excuse me. It was necessary for me just then to shock you in order to avoid disaster. Do you see my meaning? Last night I found a worm in my pork chop and forced myself to eat it just in order to avoid this nameless disaster. Oh I know it’s all nonsense, these superstitions, but it costs one so little to give into them. Comparatively, I mean. Well, suppose disaster did come just because I was too reticent or lazy to avoid it? I meant to speak of love--I had begun to speak of love-- These superstitions are self-punitive, I admit. The fact is I crave punishment everywhere and in everything. I seem never to avoid it. I steal deliberately from supermarkets fully conscious that I wish to be caught and punished. I absolutely want to commit something wicked,--yet it seems, not by my own will, but by someone else’s. I grow depressed after full meals. My dreams have begun to accuse me. Often I am swallowed up by an enormous glittering wave, or shot in the breast by a stranger. I cease even to enjoy my reveries. Always when I feel the least bit content in them, I imagine a rat leaping up to my eyes. Fundamentally, I suppose, I crave punishment evening pleasure--otherwise it is incomplete. Perhaps I’ve a thirst for martyrdom, do you think? Now then. Suppose you met me one evening at a gathering. I think you would find me of pensionable age, standing approximately five feet four inches tall, slight and tidy of build, and with a healthy crop of brown and silver hair fluffed out in a feather cut. You would judge my face more round than oval, and displaying a set of deep black eyes, and a full and amiable mouth, which upon further acquaintance, would probably tell you that though I have grimaced and wept enough in my time to deserve the frown lines on my forehead, and the grooved furrows about my lips, I have neither laughed enough to deserve the crow’s feet about my eyes, nor suckled those babes who might have justified the withered flutings on what was once a superb bosom. If, at any rate, at our supposed gathering, we in any way delighted one another, I should probably invite you next day for afternoon tea. And when you had climbed up my five flights of wooden stairs, and puffingly entered my hall, I should urge you to catch your breath in my elegant, mahogany chair table, which consists of a drawer for gloves and mufflers, a seat for resting and slipping on rubbers, and a spacious table top which pulls down over the seat and inside which rest my boxes of maison de blanc handkerchiefs with which I enjoy blowing my nose. As you rose and passed into my living room, you’d be greeted beside its archway by a graceful, hand-forged iron bracket which holds my pottery pot for growing ivy and other drooping vines. And in the far corner opposite the tan studio couch on which I sleep, you would note my richly carved mahogany table, and over to the left, my graceful chair of Sheraton influence upholstered in colorful, crewel embroidery and in which I delight in reading. You might then glance through those books which line the entire wall above my desk of antique English, a maple reproduction from the Chippindale period (about 1775), and which displays the following: A smiling little pencil man--that is, a man whose anatomy consists of two pencils, a pen, ruler, eraser, paper clips, pen wiper, pen points, and elastics. (He came to me post-paid from Widdicombs in 1934 and has since served me most genially.) Next him you’d spy a cigarette box of especially fine Japanese red lacquer with a genuine carved white inlay; and to its right, a dainty, hand-painted lamp with a red porcelain base. Enough! Let us get better acquainted. |
|